The Musée POP boasts an impressive collection of ethnological objects. Over 200 donors have contributed to the collection, with the result that it now includes more than 60,000 items. The collection's diversity, representing many aspects of daily life, is eloquent testimony to the richness of Québec culture. Donations fall under the main categories of traditional occupations, agricultural implements, household objects, clothing, textiles and folk art.
The Museum is associated with the Old Prison of Trois-Rivières, a part of Québec's historic building heritage. The prison was classified a historic monument in 1978 because of its exceptional architectural qualities. It is currently the site of the visit-experience GO TO JAIL!
Robert-Lionel Séguin devoted his life to one overriding goal - gathering material evidence of the daily life of Québec in times past, a history that had been largely neglected, forgotten or condemned. In thirty years of research, M. Séguin collected some 35,000 objects bearing witness to the rural and domestic life, learning and arts of traditional Québec culture. He was also responsible for creating an archive and a library of over 6,000 titles in addition to documentation on the customs, habits and socio-economic conditions of Quebecers. The ethnological collection as a whole is unique in the country for its richness, diversity and comprehensivenes. M.Séguin focused his intellectual research on material culture, a subject of little attention in Québec until then. For his work, he surrounded himself with what he later termed figurative archives, which formed the basis of his collection. In addition to thousands of pages of writing, including many published works, Robert-Lionel Séguin made a major contribution to ethnological filmmaking (31 films, includingLe faiseur de violons [The Violinmaker], Le dressage de bœufs [The Taming of the Oxen],La taille de la pierre [Stonecutting]...) The artifacts in this collection are divided into several categories - furniture; personal objects (clothing, toiletries, etc.); tools and equipment (used in various occupations and in farming); objects of communications (records, musical instruments, sound reproduction devices, objects used in advertising), transportation, art (especially folk art), recreation (games, toys, sports equipment) and social significance (commemorative or ceremonial objects); wrappings and containers; ironwork / builder's hardware, medical objects and various other objects of ethnological importance.
Not to be forgotten is the pitwheel. This was a monumental device made up of a huge wheel - 4.27 metres in diameter - and a gear pair system operated by animals and used to thresh grain. This key exhibit inspired the Museum's architect to highlight it by designing a rotunda in the main hall.
Robert-Lionel Séguin was on the lookout for anything that might throw light on the characteristic features of our culture. As he was keen to safeguard our national heritage and to illustrate the techniques of traditional architecture, he acquired typical buildings and preserved them on his lands at Rigaud. These buildings from the Robert-Lionel-Séguin collection are grouped in the Museum’s backyard with the same view in mind, that of highlighting the knowledge and skills of our forbears.
It must also be mentioned that seven (7) buildings in the Séguin collectionhave been moved to the courtyard behind the prison. These consist for the most part of unique and rare examples of Québec's 18th and 19th century architectural heritage. They include a barn with corbelling (or windbreaker), a thatched-roof hog house, a five-sided corn-drying building, a Dutch-style field shelter with an adjustable roof, a traditional house and two small dairies.